Among the half-naked herd boys who drift through the mission is a rangy kid called Solomon Linda, born 1909, who gets into the Orpheus-inspired syncopation thing and works bits of it into the Zulu songs he and his friends sing at weddings and feasts. One such place is Gordon Memorial School, perched on the rim of a wild valley called Msinga, which lies in the Zulu heartland, about 300 miles southeast of Johannesburg. Wherever Orpheus goes, “jubilee” music outfits spring up in his wake and spread the glad tidings, which eventually penetrate even the loneliest outposts of civilization. The African brothers have never heard such a thing. McAdoo is a stern old Bible thumper, to be sure, but there’s a subversively rhythmic intensity in his music, a primordial stirring of funk and soul. This American music is a revelation to “civilized natives,” hitherto forced to wear starched collars and sing horrible dirges under the direction of dour white missionaries. Next thing, McAdoo and his troupe are on the road in Africa, playing to slack-jawed crowds in dusty mining towns. They meet during McAdoo’s triumphant tour of Australia in the 1880s, and when Sir Henry becomes High Commissioner of the Cape Colony a few years later, it occurs to him that Orpheus might find it interesting to visit. Orpheus McAdoo is leader of the celebrated Virginia Jubilee Singers, a combo that specializes in syncopated spirituals. Sir Henry Loch is a rising star of the Colonial Office. This is an African yarn, but it begins with an unlikely friendship between an aristocratic British imperialist and a world-famous American negro. Let’s take it from the top, as they say in the trade.īrian Wilson had to pull off the road when he first heard it, totally overcome Carole King instantly pronounced “a motherfucker.” ![]() This one’s for Solomon Linda, then, a Zulu who wrote a melody that earned untold millions for white men but died so poor that his widow couldn’t afford a stone for his grave. It was in the nature of this transaction that black men gave more than they got and often ended up with nothing. For general information or to request a brochure, call epic transcultural saga is also, in a way, the story of popular music, which limped pale-skinned and anemic into the twentieth century but danced out the other side vastly invigorated by transfusions of ragtime and rap, jazz, blues and soul, all of whose bloodlines run back to Africa via slave ships and plantations and ghettos. Tickets ($3 - $90) are on sale now at the Hollywood Bowl box office, by calling Ticketmaster at 213.480.3232, at all Ticketmaster outlets (Robinsons May, Tower Records and Ritmo Latino locations) or online at. John/Zimmer: Music from The Lion King (with fireworks) Sowande: African Suite - Movement 2, "Nostalgia" PAUL SMITH SINGERS (Paul Smith, director) Makeba's role as an anti-apartheid spokesperson and her contributions to civil rights have earned her both an ambassadorship with the United Nations and many international humanitarian awards. ![]() Makeba began her musical career in South Africa but was exiled from the country in 1960. Makeba became the first African recording artist to be awarded a Grammy award, for the recording of An Evening with Belafonte/Makeba. One of her most popular songs, Wimoweh, has been translated into English from the original Xhosa, and is now well known as The Lion Sleeps Tonight. Returning to the Bowl, the original world music diva MIRIAM MAKEBA or Mama Africa as she is known around the world, has toured the world as a featured artist with Paul Simon, Harry Belafonte, and Dizzy Gillespie in addition to having headlined on The Pope's Christmas in the Vatican. Fireworks top off the evening, choreographed to music from Disney's The Lion King. "Fireworks Finale: A Dream of Africa" program highlights include familiar works by African and African-American composers, as well as excerpts from Lawrence of Arabia, Cleopatra, Amistad, Out of Africa, and more. On September 13, 14, and 15, Principal Conductor John Mauceri and the Hollywood Bowl Orchestra present the Bowl's annual end-of-season spectacular, this year featuring music from film and the concert hall focusing on the continent of Africa, with special guest Miriam Makeba and her band. September 15 Sponsored by Kendall-Jackson Winery Media Sponsor: KPCC 89.3 FM September 14 Sponsored by Viking Office Products/Office Depot Media Sponsors: KLON 88.1 FM, 94.7 THE WAVE MIRIAM MAKEBA JOINS JOHN MAUCERI, THE HOLLYWOOD BOWL ORCHESTRA, AND THE PAUL SMITH SINGERSįriday and Saturday, September 13 and 14 at 8:30 PM
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